(I do have hope that the youth who are standing up and demanding change will be the catalyst for real conversation and real solutions. Political statement: The NRA has got to get out of our political system, our society needs to stop fetishizing guns, and toxic masculinity has to be replaced with a kinder, gentler way to "be a man".)
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shooters seem to have something else in common-rage. Regardless of where the rage comes from (abuse, an inflated sense of entitlement, or real mental illness), these young men are filled with a rage so powerful that it overrides their conscience and reason, causing them to do horrific things in order to express it. In 1978, when King (writing as Richard Bachman) wrote
I think that King really tapped into the intense emotions of adolescence with Charlie's character. Teenagers tend to feel all of their emotions more intensely than adults, especially strong emotions like love or anger or shame.Charlie was so up in his own feelings that no consequence, no threat, and no appeal was going to talk him down until he had done what he needed to do. Charlie's actions are dark enough, but what takes this story to another level is that in a Stockholm Syndrome-type of phenomenon, the other students in the room start to express their own secrets, their own rage. It's as though Charlie's extreme action has given them permission to admit things that they would otherwise keep hidden deep down in their private thoughts.
The book is really novella length (149 pages), so it's good that the scope is only a few hours of one day. It does mean, though, that King had to be economical with his character development, and while Charlie is certainly a fully-fleshed out protagonist (antagonist? King is so good at writing characters that are both), the events that have led to this particular act are not as developed, weakening the reader's understanding of the connection between what happened then and what is happening now.
I almost didn't finish reading this book, after the Parkland shooting happened. I wasn't sure I could stand for my mind to continue to occupy that sad, horrified place. But I'm glad I did. It is still good storytelling, and the themes should not be something we forget-that our young people are vulnerable to rage and despair, and we must provide them with the tools they need to manage their feelings and survive their childhoods.
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