Ok, I suppose that technically this book is not actually written in purposeful, literary stream of consciousness, but Let's Pretend This Never Happened: A Mostly True Memoir is so full of the rambling thoughts of the author, Jenny Lawson, that it may as well be.  That sentence actually makes that sound like a bad thing, but in fact Lawson's book is a hilarious look at the inner workings of a very intense, interesting mind, and the outer ramifications of those thoughts entering the world through word or deed.

Let's Pretend This Never Happened details Lawson's rather, shall we say, unconventional upbringing in west Texas, her journey to adulthood, and her relationship with her husband over 15 years of their marriage. There's taxidermy, animal attacks (real and perceived), disastrous dinner parties, awkward conversations, vultures, homemade colon cleanses, and a five foot tall metal rooster.  Luckily there are photos to prove some of the more fantastic stories-since frankly no one would probably believe them otherwise.

If you are a fan of Jen Lancaster's books (Bitter is the New Black, My Fair Lazy, etc...), then you will probably love this book.  Lawson had that same brand of snarky, sarcastic humor, which is only not obnoxious because most of the time she turns it against herself.  Her relationship with her husband, Victor, reminded me so much of Jen Lancaster's husband Fletch that I am almost convinced that there is a secret group of men out there who are tasked with marrying women who will need to be talked down off the metaphorical ledge on a daily basis.  Unlike Lancaster, however, Lawson has the most bizarre life history of any real person I can think of.  And she the most hilarious parts of the book come from the fact that she is basically a social cripple-if her stories are to be believed, she is pretty much incapable of having a normal conversation with someone she's just met, or her husband's co-workers, or pretty much anyone in real life.  There are many examples in the book, and most of them seem to involved using the word vagina...a lot!  IN the end, Lawson concludes that it is not the triumphs in life that define us, but those moments we'd just like to pretend never happened.

Blackberry Winter, by Sarah Jio

Sarah Jio's new book, Blackberry Winter (release date Sept. 25, 2012), follows The Violets of March and The Bungalow.  Jio has quickly made a name for herself writing high quality women's fiction-fiction that focuses on relationships familial and romantic, and the common experiences that bond women into strong friendships.  Blackberry Winter is a satisfying  blend of mystery and love story.

In Blackberry Winter, a title taken from a cold weather phenomenon that happens in mid to late spring, we have two main characters separated by several decades.  First, we have Vera Ray, a poor single mother during the first years of the Depression.  One night, she tucks her three-year old son Daniel into bed and leaves to go to work at a nearby hotel.  When she returns, Daniel is missing.  The only clue she can find is his teddy bear lying in the snow that fell in a freakish late spring storm, erasing the tracks of the kidnapper.  Despite the obvious fact that three-year olds don't run away, the police refuse to help her.  Fast forward to the present, and you find Claire Aldridge, a reporter at a daily in Seattle.  When an unexpected late spring snow storm blankets the area, Claire is tasked with writing a feature on the event.  She discovers the story of Vera and Daniel, and becomes determines to find out what happened to the boy.  Little did she know how closely she and Vera Ray would be connected.

This book has the benefit of being more than one thing.  On one level, it is a mystery, and a pretty decent one. It kept me guessing, which is fairly hard to do given the number of mysteries and thrillers I read.  Even when I thought I had something figured out it ended up being slightly different than I thought.  On another level, it is the story of one woman and her journey from grief to healing, from betrayal and guilt to acceptance.  While Vera's experiences are the driver for most of the action in the story, the emotional impact comes not just from her grief and anxiety at the loss of Daniel, but from Claire's painful journey through her own tragedy.  The way her relationship with her husband changes from the beginning to the end of the story mirrors what I know happens to many couples who experience the loss of a child, even a miscarriage.

My only (tiny) criticism was the character of Charles, Vera's love and father of Daniel.  He was fairly one-dimensional to me, and frankly a little too good to be true.  Maybe it's just the cynic in me, but I had trouble believing his transformation from son of wealth and privilege to crusader for the poor, and I didn't find it very likely that he would honestly believe that he could introduce his poor servant girlfriend to his family and expect them to embrace her.  But, as I said, that is a teeny, tiny criticism.  Overall, I think that this is another solid performance for Ms. Jio!

The Old Broads Network

A couple of weeks ago  took part in the blog tour for the AudioGo audiobook for Karin Slaughter's new novel, Criminal.  At the time of the tour, I was only about a third of the way through the book, and loving it. Now that I am finished, I can honestly say that Slaughter has done something that is well-nigh impossible.  She took a formula serial-killer thriller and turned it into an emotionally powerful, incredibly moving story.

Criminal is the latest installment in the Will Trent series.  I've enjoyed all of Slaughter's recurring characters, but Will is my favorite.  He is an agent with the Georgia Bureau of Investigation, but with a past that was more likely to produce a criminal than a cop.  Will grew up in a children's home-too old and awkward for anyone to want to adopt him, he was eventually kicked out of care at 18, with nothing but his brains and the clothes on his back.  But through hard work and a few lucky breaks, Will overcame his background and his learning disabilities to graduate from college and join the GBI.

In Criminal, Will and his partner Faith are investigating the murder of a university student.  Her case sets off some kind of alarm bells for his boss, Amanda Wagner.  Thirty years previous, she and Faith's mother Evelyn caught and sent to jail a man with the same M.O.  The story jumps back and forth from present day to 1975, and as the story plays out we see that there is more at stake than just the lives of the kidnapped women.

Sounds like your basic serial killer novel.  But this is a serial killer novel with heart, based entirely on the flashback story of Amanda Wagner and Evelyn Mitchell, and how they are connected to Will Trent.   The flashbacks don't just explain Will's past, but the early days of women in the Atlanta PD, and specifically the case that bonded Amanda and Evelyn and the rest of their old broads.  It made me love and respect the elder females so much more, and the image of all of these women spending their careers looking out for the baby they saved actually made me a little teary.  This story is so much more than just another crime procedural.  If you haven't been following the story, go back to the beginning of the Will Trent series and catch up.  It will be totally worth your time!

Black Out, by Lisa Unger

As I slowly make my way through my collection of un-read thrillers, I've read quite a few books about women being victimized by men.  In fact, I've started to think that I should write a series of books about females victimizing men just to balance the cosmic scales.  Usually, the victims in these books (if they survive) find a way to take back some power from their attackers, which I suppose should be some comfort to the female reader.  But the main character in Lisa Unger's Black Out does a little bit more than just show some spunk in the face of a horrifying past-or does she?

Black Out is the story of Annie Powers-or Ophelia March-who is manipulated by a serial killer into helping him commit murders (or was she?).  Annie Powers, formerly Ophelia March, lives with her husband Gray and daughter Victory in a safe, gated community in Florida.  She has everything she could want-money, a gorgeous house on the beach, a loving husband, a beautiful daughter.  But she is wracked with anxiety.  She is sure that her ex-boyfriend and sociopath, Marlowe Geary, has returned to snatch her from her new life and draw her back into his evil web.  Except, of course, that her husband killed him five years ago. So why is Annie sure that he is hunting her, trying to lure her back into his evil web?

Black Out is a psychological thriller that grabs you by the imagination and doesn't let you go.  Unger uses Annie herself as the narrator, making it impossible to tell what is real and what is imagined.  The reader is forced to live the confusion, fear, and anger just as Annie feels it, while trying to figure out exactly how to keep herself and her family safe.  It is one of those books that makes you question your own perception of events, and trying to make sense of the events is like putting together the pieces of a puzzle-from two different boxes.  Frankly, even after finishing it I'm still not sure which of the events in the book actually happened and which ones she imagined.  But in the end it didn't really matter.  Unger writes the story of a woman desperately trying to gain power over her own life.  Everyone tries to manipulate Annie, even the people who love her most-maybe especially the people who love her most.    Annie's attempts to take back her life make you root for her, even when you're not sure you like her very much.  And even though there are parts of the plot that are pretty implausible, I was caught up enough in the story of Annie and her past that it worked for me.  Escapism at its best!

Gone Girl, by Gillian Flynn

Never having read any of Gillian Flynn's other books, I wasn't sure what to expect from Gone Girl.  The plot sounded intriguing enough, but a story about a missing woman and her murder suspect of a husband could also go horribly, Lifetime-movie wrong.  But Flynn's story goes far beyond a schmaltzy made-for-tv plot.  In fact, it takes the all-too-familiar story and turns it on its head.

Gone Girl is a story in three parts, each told from one of two perspectives.  The first part sets the stage-a woman, Amy Dunne, is missing.  Her husband Nick comes home to find the front door open and the house a wreck.  He calls the police, and cooperates with their investigation until it becomes clear that he is the prime suspect in what the police have decided is a murder.  The rest of the novel explores both Nick and Amy's marriage and the investigation-both Nick's and the police's-that twists and turns its way to a really strange and dark place.

I realize that this summary is a little light on detail.  That's because this is apparently THE book of the summer, and I've decided not to ruin anything for anyone.  The fact is, this is a book that really needs to be read to be believed.  Flynn takes a rather cynical idea about marriage-that we pretend to be someone we're not when we meet our mate, only to be disappointed when we realize they aren't who they pretended to be either-and uses it as the basis for taking the reader to some dark and twisty places.  I literally had almost no clue what might be coming next for most of the book, and that unpredictability kept me reading long past when I should have put the book down and, oh, I don't know, cooked dinner/mowed the lawn/SLEPT!

Flynn also achieves another uncommon feat.  Even though I didn't like either of the main characters, or frankly most of the minor characters, I couldn't stop reading.  This book is really just one long object lesson against selfishness.  Every single character is selfish in some way, and it makes them pretty unattractive.  But it became an ugly fascination for me.  I couldn't believe some of the lengths to which the characters went to hurt each other and/or protect themselves from their own bad acts, but not in a bad "this books is ridiculously unbelievable and therefore unreadable" sort of way .  The mental gymnastics necessary to justify their actions was pretty impressive.  And you get to see a lot of mental gymnastics in this book-despite the fact that there is a lot of action, at least early on, the book really delves into the internal lives of the characters.  Flynn has really created an engaging, un-put-downable piece of fiction!

A New Monkeewrench Novel! Off The Grid, by P.J. Tracy

I read a lot of mystery/thriller series.  I mean, A LOT!  And over the last couple of years I have had some painful break-ups with some of my favorites.   There are very few things as sad as watching a formerly great character fade into mediocrity.  And I can honestly say that THIS IS NOT ONE OF THOSE TIMES!    (See what I did there?)  The new P.J. Tracy book, Off the Grid (coming out August 2nd), is just as full of quirky, loveable characters as the other Monkeewrench books, and the story is just as different and suspenseful.

Off the Grid, the lastest installment in the Monkeewrench series by the mother/daughter writing team known as P.J. Tracy, begins with Grace MacBride sailing in the seas near Key West, spending her days laying in the sun wearing a sundress and sandals.  Anyone who has read any of the other Monkeewrench books knows that this is the most unexpected thing that she could be doing.  After a life of violence and paranoia, Grace has finally allowed herself to relax and feel safe.  But her sense of security is shattered when the violence she fears and expects finds her, even miles at sea.  Someone is trying to kill her friend and emotional savior, John Smith.  A thousand miles away in Minnesota, her former love interest and cop Leo Magozzi and his partner are investigating the deaths of four Somali's with ties to terrorism.  Neither Grace nor Leo know how these two events happening a continent apart will connect them once again.

Grace and her band of super-computing geniuses have been in some sticky situations in the past.  But never before have the stakes been so high.  Each of them is forced to confront something about themselves as they race to uncover a terrorist plot, and that is one of the things that I liked about this Monkeewrench book.  Grace is such a larger than life character that sometimes I feel like the other Monkeewrenchers don't get enough backstory, but that is not the case this time.  Truth be told there is not a ton of exposition in this novel, but the events of the story and the character's reactions to them provide glimpses into the chaotic, painful pasts of the main characters.  Much of the first part of the novel revolves around Magozzi and his partner Gino and their efforts to discover what is happening with the dead Somali's, but I was OK with the focus being off of Grace for a bit.

Other than revisiting these characters, who I love, the story was interesting and different than any thriller plot I've read before.  Sure, I've read stories about terrorism before, but this particular plot had a twist that was new, at least to me.  And the new characters who are introduced, a couple of old Viet Nam vets, are a good addition to the group.  I have no idea if they are going to make an appearance in any other P.J.Tracy books, but I could see them having a place in the off-kilter, gray area, sometimes shady world of Monkeewrench.  Or perhaps their own series.  Either way, I was pleased to meet them.  The book has an emotional punch that made me clench my fists, laugh out loud, and cry openly-quite a feat for a formula thriller.  But just like the cast of characters, the Monkeewrench books are unpredictable enough that you are never sure what you are going to get, other than a really good read.

Clean Break, by David Klein

As much as we may enjoy flashy stories about fantastical characters (you know, like mind-reading waitresses , sparkly vampires, and serial killers), the most moving, powerful fiction most often comes from the stories of ordinary people who find themselves in extraordinary circumstances.  Such is the case with David Klein's newest book, Clean Break.  It tells the story of four people-Adam, Celeste, Jake, and Sara-and the way their lives randomly intersect, causing each person's path to be drastically changed as a result.

Celeste is a wife and mother, living the dream in the wealthy suburbs of New York.  At least, she is until she discovers that her husband, Adam, has gambled away all of their savings, and finds himself in debt to some unsavory characters.  Adam, for his part, admits he has an addiction, and goes off to rehab, certain that this will make everything OK between he and Celeste.  But Celeste has other plans.  After years of making excuses and forgiving his transgressions, she leaves him while he is in rehab.  When he comes out, he is determined to get her back-and even justifies a return to gambling (short-term, of course) as a way to get the money to convince her he can be a good husband.

Things come to a head one night when Celeste discovers that her husband has once again gambled away all of his money.  When she confronts him, and asks for a divorce, Adam attacks her.  Lucky for Celeste, Jake stumbles upon them on his way home from work, and he is able to diffuse the situation and save her from any further harm.  Jake, for his part, is at the end of an affair with an NYPD officer, Sara.  When Celeste comes to thank him for his help, he becomes infatuated with her.  But will be do whatever it takes to make her safe?

The story is told from alternating perspectives, a narrative structure that has become more and more common for this type of story.  Each person becomes the protagonist of their own chapters, and Klein is able to show each person's mental journey to the choices they eventually make.  Despite some initial sympathy, Adam end up being a very unsympathetic character indeed.  But the other three characters are more layered.  Each person is flawed in some way, but trying desperately to do the right thing in the face of their own bad choices.

The title is a bit on-the-nose regarding the essential question of the story-is it possible to get a "clean break"? But each characters is, in their own way, trying to find a new way to be.  They want to shed their old selves and become better.  But each one is fighting against something-their own nature, their past relationships, guilt over past actions.  The thing about making new start is that it is impossible to completely leave all of your past behind.  We are, each of us, the function of all of our experiences-good, bad, or neutral, each person we come into contact and each decision we make forms who we are, and we can't help but be affected by the patterns of thought and behavior they create.  But sometimes, we end up doing something that we never would have guessed we were capable of doing.  Whether that ends up being a good or bad thing is up to us.